約 6,347,042 件
https://w.atwiki.jp/earthquakeinfo_en/pages/25.html
How to spend Watch out for Hoaxes! To avoid Venous thrombosis (Better known as Economy Class Syndrome) at the Shelter. To keep warm. Caution about Carbon Monoxide (CO) poisoning How to spend ① If you are alone now, you should make companions. This comforts you and decreases your anxiety. ② It is desirable that youth and cheerful people make an effort to talk to the elderly and person/s that are on their own. ③ At times like this, all women should watch out for criminals. Yes - Japan is safe, but be cautious of your own safety. ④ When talking to others, give them a chance to speak out about their emotions. Talk about random stuff, trivial stuff, etc, to keep you and their minds off the earthquake. Watch out for Hoaxes! There are several hoax e-mails and tweets by heartless people about situations of the earthquake. DO NOT act upon these hoax. Instead, listen to reliable sources (e.g. Policeman, Defense Force people, radio and TV) for information. To avoid Venous thrombosis (Better known as Economy Class Syndrome) at the Shelter. move your fingers and toes frequently Move your heels up and down with both legs, 20 to 30 times every hour. Stretch as much as you can! Drink heaps of water. Don t avoid drinking water just because you re worried that you have to go to the toilet all the time! DO NOT EVEN THINK ABOUT DRINKING ALCOHOL! Cautions should be taken especially when you are staying inside a car. loosen belts or any items that may restrict blood flow. Lift your legs higher than your heart when you are lying down. What exactly is Venous thrombosis? A venous thrombosis is a blood clot that forms within a vein. (Thrombosis is a medical term for blood clotting (Haemostasis) occurring in the wrong place, i.e. a thrombus forming on the inside wall of a blood vessel.Wikipedia To keep warm. A plastic bottles with orange cap can withstand heat. If you have happened to secure hot water, they become good hot-water bottles, body warmers and water for drinking. Especially, it is useful for babies and elderly people who can t control their body temperature properly. Caution about Carbon Monoxide (CO) poisoning Because of power failure, many people are using oil-stoves and gas heaters, and the number of CO poisoning instances are INCREASING. Modern houses are very highly airtight, so think ventilation before you chuck that gas stove on.
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■Cajun Queen s Afternoon Delight (P C 1984 Concert Series C.S.R. Ltd. CS-1BR-75) (2CDR transferred from 3LP) Live at Louisiana State University, Baton Rouge, Louisiana, June 1, 1975 (1st show) ■Somewhere Over The Rainbow (Musichien) (2CDR transferred from 3LP) Live at Louisiana State University, Baton Rouge, Louisiana, June 1, 1975 (1st show) ■Whores In The Night (Concert Siries Records CS-2BR 75) (2CDR transferred from 3LP) Live at Louisiana State University, Baton Rouge, Louisiana, June 1, 1975 (2nd show) ■To Know Them Is To Love Them (Albino Records) (1CDR transferred from 1LP) Live at Boston Garden, Boston, Massachusetts, June 12, 1975 More ■Luxury (Outsider Birds Records OBR 93002), The other half of the 6-17-75 Toronto show on rare vinyl release. Great sound quality. Some claim this was the best show of the 1975 Tour of the Americas. (2CD transferred from 2LP) ■Toronto (Outsider Birds Records OBR 93001), About half of the 6-17-75 Toronto show on rare vinyl release. Great sound quality. Some claim this was the best show of the 1975 Tour of the Americas. (2CD transferred from 1LP) ■Little S M (No Credit) (7 single) Live at Maple Leaf Gardens, Toronto, Ontario, Canada, June 17, 1975 More ■Preserve For Future... (Nothern Records 1501), First half of the 6-27-75 New York City show on this vinyl release. Great sound quality performance. Very excited and enthusiastic crowd on this last New York show. (1CD transferred from 1LP) ■Discover New York (Nothern Records 1502) (1CD transferred from 1LP) Live at Madison Square Garden, New York City, New York, June 27, 1975 ■Hold On Tight (CS-MSG-75) (3CDR transferred from 3LP) Live at Madison Square Garden, New York City, New York, June 27, 1975 ■Stereo Baby (RSVP 0079) (1CDR transferred from 1LP) Live at Madison Square Garden, New York City, New York, June 27, 1975 ■Cherrie Oh Baby (No Credit) (5LP) Live at Madison Square Garden, New York City, New York, June 27, 1975 More ■American Tour 75 Volume 1 (Holy Grail Records) (1LP) Live at Inglewood Forum, Los Angeles, California, July 9, 1975 ■American Tour 75 Volume 2 (Holy Grail Records) (1LP) Live at Inglewood Forum, Los Angeles, California, July 9, 1975 ■L.A. Fog (Trade Mark Of Quality 8207/8) (2CDR transferred from 2LP) Live at Inglewood Forum, Los Angeles, California, July 9, 1975 ■The Best Of The Rolling Stones Live In Concert (1LP) Live at Inglewood Forum, Los Angeles, California, July 9, 1975 More ■Live at the L.A. Forum 1975 (Vinyl Gang Production) (4LP) Live at Inglewood Forum, Los Angeles, California, July 11, 1975 (SBD) ■1975 Tour Of The Americas Part One (Idle Mind Productions Mick Lip Discs), Classic bootleg LP. Nine tracks from 7-10-75 7-13-75 Los Angeles shows. Sound quality is excellent. These are the famous LA Friday Tapes This is Part 1. (1CD transferred from 1LP) ■Who Went To Charch This Sunday? (Idle Mind Productions IMP 1101) (1LP) Live at Inglewood Forum, Los Angeles, California, July 13, 1975 More ■1975 Tour Of The Americas Part Two (Charlie Lip Discs), Six tracks from 7-10-75 7-13-75 Los Angeles shows. Sound quality is excellent. These are the famous LA Friday Tapes This is Part 2. (1CD transferred from 1LP) ■1975 Nervous Breakdown (Slipped Discs IMP 1103) (1CDR transferred from 1LP) Live at Inglewood Forum, Los Angeles, California, July 13, 1975 More ■Tour Of The Americas 75 (Dragonfly Records) (3LP), 7-10-75 7-13-75 Los Angeles shows. A repackage of all three above IMP bootleg classics. Sound quality is excellent. These are the famous LA Friday Tapes (Parts 1,2,3). ■1975 Tour Of The Americas (Moonstone Records 61004) (2LP) Live at Inglewood Forum, Los Angeles, California, July 13, 1975 More ■If You Can t Rock Me (No Credit) (1LP) Live at Inglewood Forum, Los Angeles, California, July 13, 1975 More ■Sad Songs Is All I Know (Thrown Records T-CPSF) (2CDR transferred from 2LP) Live at Cow Palace, San Francisco, California, July 15, 1975 ■It s Only Rock n Roll (no credit) (2CD transferred from 3LP) Live at Cow Palace, San Francisco, California, July 15, 1975 ■In Concert 1975 Part 1 (Diamond Sound DS-006) (2LP) Live at Cow Palace, San Francisco, California, July 15, 1975 ■In Concert 1975 Part 2 (Diamond Sound DS-007) (1LP) Live at Cow Palace, San Francisco, California, July 15, 1975 ■The Udder Show (Stereo Master Inc.) (2LP) Live at Cow Palace, San Francisco, California, July 16, 1975 ■A Stone In My Shoe (French Kiss Lte e), Nine tracks from 7-28-75 Detroit show recorded in EX- mono soundboard quality on LP. Great vinyl release, great performance. (1CDR transferred from 1LP) ■Detroit 75 (Shedube Records) (1CDR transferred from 1LP) Live at Cobo Hall, Detroit, Michigan, July 28, 1975 (SBD) ■Hear The Whistle Blowin (Laping Tongue Presentation LTP 8401) (1LP) Live at Cobo Hall, Detroit, Michigan, July 28, 1975 (SBD) BACK / NEXT
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beatmaniaIIDX18 Resort Anthem/WORLD TOUR beatmaniaIIDX18 Resort Anthem TOP 新曲リスト / 新曲リスト2 / 旧曲リスト / 旧曲リスト2 / 旧曲リスト3 / 削除・AC未収録曲リスト / BEMANIフォルダ 旧曲詐称・逆詐称・個人差譜面リスト / リスト2 / リスト3 EXPERTコース / 段位認定 / WEEKLY RANKING STORYモード(第一章・第二章) / 第三章・BEGINNERモード / LEAGUEモード DELLAR / JAPAN TOUR / WORLD TOUR / MISSION 隠し要素 携帯サイト・メンバーズサイト 稼働前情報 beatmaniaIIDX18 Resort Anthem/WORLD TOUR [#w5d41c88] WORLD TOUR [#v3c7d02a] 出現条件 [#hc1b7783] NORMAL [#i8158faf] HYPER [#z24a89ca] ANOTHER [#q6999021] OTHER [#e79417b3] 獲得アイテムリスト [#ddefe5ef] WORLD TOUR 2010年11月24日より開始 貯めたDELLARをカテゴリに注入すると追加の新曲、カスタマイズアイテムが解禁される 解禁された要素はSP/DPで共有される 新曲については譜面単位で獲得、例えばHYPER譜面のみを獲得しても同じ楽曲のNORMAL/ANOTHER譜面は選曲不可 「PARADISE LOST」のいずれかの譜面を解禁させると同時にフレーム「WORLD TOUR」が解禁 2011年1月12日より、ゴールしたカテゴリに裏ルートが追加される。GOALから右側にまた新しいルートが出現し、DELLERを注入できるようになる。 新しいルートは条件達成後、毎回裏ルート出現演出が出る。この演出中も残り時間を消費しているので注意。(白鍵盤又は黒鍵盤でスキップ可、白鍵盤の場合NORMALに勢いあまって注入してしまう場合があるのでNORMAL以外に注入したい場合は注意) 「perditus†paradisus」のいずれかの譜面を解禁させると同時にフレーム「BOSS」が解禁 獲得状況などツアーの進捗・達成率はバーグラフで表示され、携帯サイトやメンバーズサイト(PC)上でも確認することが可能。 WORLD TOURの達成率を100%にするには86,000 DELLARが必要JAPAN TOUR/WORLD TOURを両方100%にするに104,500 DELLARが必要となる 現時点ではJAPAN TOUR/WORLD TOURを両方100%達成したことによる特典は無し 出現条件 JAPAN TOURのいずれかのゲージをGOALまで到達 最短で各解禁条件+3,600 DELLAR(JAPAN TOURのNORMALゲージをGOALにする分)が必要となる NORMAL No アイコン 項目 NORMAL 解禁アイテム 必要DELLAR(累計/差分) 1 ♪ 楽曲 Breaking the ground(NORMAL譜面) 200 200 2 □ レーンカバー 譜面 400 200 3 ♪ 楽曲 LIFE SCROLLING(NORMAL譜面) 700 300 4 □ レーンカバー Blind Justice 1000 300 5 ○ ターンテーブル オレンジディスク 1400 400 6 ♪ 楽曲 Hardcore Mania(NORMAL譜面) 1800 400 7 □ レーンカバー 砂漠 2300 500 8 ※ 爆発 撃墜 2800 500 9 □ レーンカバー 天空 3400 600 10 ♪ 楽曲 Kailua(NORMAL譜面) 4000 600 11 □ レーンカバー bloomin felling 4700 700 12 ○ ターンテーブル TROOPERS 5400 700 13 □ レーンカバー Michael a la mode 6200 800 14 ♪ 楽曲 THE BLACK KNIGHT(NORMAL譜面) 7000 800 15 □ レーンカバー Kung-fu Empire 7900 900 16 ※ 爆発 TROOPERSボム 8800 900 17 ♪ 楽曲 Let The Track Flow(NORMAL譜面) 9800 1000 18 □ レーンカバー THE TROOPER S JOURNEY 10800 1000 19 #09655; BGM dj TAKA 11900 1100 GOAL 楽曲 PARADISE LOST(NORMAL譜面) 13000 1100 GOAL(裏) 楽曲 perditus†paradisus(NORMAL譜面) 14000 1000 HYPER No アイコン 項目 HYPER 解禁アイテム 必要DELLAR(累計/差分) 1 ♪ 楽曲 Breaking the ground(HYPER譜面) 300 300 2 □ レーンカバー 花吹雪 600 300 3 ♪ 楽曲 LIFE SCROLLING(HYPER譜面) 1000 400 4 □ レーンカバー ボディコン 1400 400 5 ○ ターンテーブル DistorteD 1900 500 6 ♪ 楽曲 Hardcore Mania(HYPER譜面) 2400 500 7 □ レーンカバー ジャングル 3000 600 8 ※ 爆発 DistorteDボム 3600 600 9 □ レーンカバー MILITARY SPLASH 4300 700 10 ♪ 楽曲 Kailua(HYPER譜面) 5000 700 11 □ レーンカバー DESIRE 5800 800 12 ○ ターンテーブル EMPRESS 6600 800 13 □ レーンカバー Marie Antoinette 7500 900 14 ♪ 楽曲 THE BLACK KNIGHT(HYPER譜面) 8400 900 15 □ レーンカバー Tune of beat#3 9400 1000 16 ※ 爆発 EMPRESSボム 10400 1000 17 ♪ 楽曲 Let The Track Flow(HYPER譜面) 11500 1100 18 □ レーンカバー Programmed World 12600 1100 19 #09655; BGM L.E.D. 13800 1200 GOAL 楽曲 PARADISE LOST(HYPER譜面) 15000 1200 GOAL(裏) 楽曲 perditus†paradisus(HYPER譜面) 17000 2000 ANOTHER No アイコン 項目 ANOTHER 解禁アイテム 必要DELLAR(累計/差分) 1 ♪ 楽曲 Breaking the ground(ANOTHER譜面) 400 400 2 □ レーンカバー Brazilian Fire 800 400 3 ♪ 楽曲 LIFE SCROLLING(ANOTHER譜面) 1300 500 4 □ レーンカバー GOLIチビキャラ 1800 500 5 ○ ターンテーブル GOLD 2400 600 6 ♪ 楽曲 Hardcore Mania(ANOTHER譜面) 3000 600 7 □ レーンカバー 海 3700 700 8 ※ 爆発 GOLDボム 4400 700 9 □ レーンカバー 迷彩 5200 800 10 ♪ 楽曲 Kailua(ANOTHER譜面) 6000 800 11 □ レーンカバー ホフクトラン 6900 900 12 ○ ターンテーブル SIRIUS 7800 900 13 □ レーンカバー Elisha 8800 1000 14 ♪ 楽曲 THE BLACK KNIGHT(ANOTHER譜面) 9800 1000 15 □ レーンカバー EMPRESS 10900 1100 16 ※ 爆発 SIRIUSボム 12000 1100 17 ♪ 楽曲 Let The Track Flow(ANOTHER譜面) 13200 1200 18 □ レーンカバー 3y3s 14400 1200 19 #09655; BGM DJ YOSHITAKA 15700 1300 GOAL 楽曲 PARADISE LOST(ANOTHER譜面) 17000 1300 GOAL(裏) 楽曲 perditus†paradisus(ANOTHER譜面) 20000 3000 OTHER No アイコン 項目 OTHER 解禁アイテム 必要DELLAR(累計/差分) 1 □ レーンカバー UMEGIRI 1000 1000 2 ○ ターンテーブル Resort Anthem 2000 1000 3 □ レーンカバー KANZAKI 3000 1000 4 ※ 爆発 Resort Anthemボム 4000 1000 5 □ レーンカバー Rock Da House 5500 1500 6 #09655; BGM CAPACITY GATE 7000 1500 7 □ レーンカバー THE DOOR INTO RAINBOW 8500 1500 8 #09655; BGM Mystic Moon 10000 1500 9 □ レーンカバー Session9 -chronicles- 12000 2000 10 #09655; BGM Seiya Murai 14000 2000 11 □ レーンカバー Aegis 16000 2000 12 #09655; BGM wac 18000 2000 13 □ レーンカバー Vermillion 20000 2000 14 #09655; BGM Ryu☆ 23000 3000 15 #09655; BGM kors k 26000 3000 GOAL カテゴリボイス マキノ(ピンクターボ) 30000 4000 GOAL(裏) カテゴリボイス MC MASSIVE-G 35000 5000 獲得アイテムリスト 隠し曲 獲得No GENRE TITLE ARTIST フォルダ 1 HARDCORE Breaking the ground Art of Fighters Resort Anthem 3 DETROIT TECHNO LIFE SCROLLING HIROSHI WATANABE 6 HARDCORE Hardcore Mania DJ Weaver 10 ENERGETIC HAWAIIAN TRANCE Kailua kors k 14 GOA TRANCE THE BLACK KNIGHT L.E.D. 17 UK HARDCORE Let The Track Flow Brisk Ham GOAL TRANCE CORE PARADISE LOST Ryu☆ Vs. L.E.D.-G GOAL(裏) ANTHEM CORE perditus†paradisus iconoclasm カスタマイズアイテム(レーンカバー・ターンテーブル・爆発・BGM・カテゴリボイス) カスタマイズの項を参照。→携帯サイト・メンバーズサイト
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このページはこちらに移転しました Higher Ground 作詞/68スレ75 有刺鉄線の惨状が張り巡らされた かの有名な独り言が君の中に響く その罠は全てのものを包み込み 紅の翼をもぎ取る 最善の手が君を覆い尽くす 空の竜は君を乗せて旅立つ 竜の手の下で物事が動き 蟻の巣が崩壊する 地獄を見たくなければ その手で空を飛べ 天国を見たければ その手で飛ぶな 光の残光が古の廃墟で彷徨う 君は落とし穴に落ちる 雨が光と解け合い降り注ぐ 君は雪を見る (このページは旧wikiから転載されました)
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A courier bag will likely be bao bao issey miyake designed out of some sort of cloth which can be worn more than one shoulder with a strap that goes across the upper body resting the bag about the lower back again. Though these are at times employed by couriers, they ve got turn out to be an actual vogue statement in many areas of the globe. A lesser measurement is frequently named a sling bag, used while trekking or traveling. This design and style of luggage are actually used in the transportation of mail and goods by various kinds of messengers, postal workers and bicycle couriers. Some Royal Mail carriers in the Uk at this time use substantial messenger luggage to deliver mail. The look of the modern-day messenger bag traces its origin for the utility bag from the fifties produced by De Martini World Canvas Firm. Established by Frank De Martini with his two daughters, Kathleen and Marge, the luggage were at first permitted for linemen to carry almost any necessary instruments even though climbing poles. Globe Canvas finally provided baggage to The big apple messenger companies throughout in nineteen seventies and 1980s. The greater messenger companies necessary riders luggage and likewise paid a deposit for them. Luggage ended up typically customised for different firms. The 2 premier firms throughout these occasions have been - Cell Messenger and Can-Carriers, who used pink bao bao bag and blue baggage respectively. In 1984, John Peters redesigned the De Martini bag making use of nylon, buckles and vibrant stripes. He finished the bags with edge binding which established the stage with issey miyake online the fad of courier bag brands. His designs at the moment are the sector typical for all fashionable courier baggage. These were being the industry s 1st luggage employing know-how to produce it. Similar in operate to backpacks, these be certain consolation to persons carrying hefty or bulky products, while enabling straightforward usage of the stuff within conveniently. They commonly integrate features which make them specifically suited to biking, trekking or another adventure things to do. Fittings make it quick to maneuver the shoulder strap. Also, provision of swift launch buckles and an adjustable hinged buckle let for simple opening with the bag. The opportunity to connect components, for instance mobile phone holsters, U-locks or even drinking water bottles allows for just a much more hassle-free utilization from the bag. The stabilizing straps aid to forestall the bag from slipping though riding.
https://w.atwiki.jp/toho/pages/5775.html
The Ends of The East サークル:Kissing the Mirror with LA KIA Number Track Name Arranger Lyrics Vocal Original Works Original Tune Length 01 Sky of the ground Wooming AKIRA AKIRA 東方永夜抄 少女綺想曲 ~ Dream Battle [03 02] 02 Empty reality Wooming AKIRA AKIRA 東方妖々夢 無何有の郷 ~ Deep Mountain [04 07] 03 Dreaming Gear Wooming AKIRA AKIRA 東方紅魔郷 ヴワル魔法図書館 [04 12] 04 End of Loneliness Wooming AKIRA AKIRA 東方紅魔郷 上海紅茶館 ~ Chinese Tea [03 52] 05 Miss in the mist Wooming AKIRA AKIRA 東方紅魔郷 ほおずきみたいに紅い魂 [03 41] 06 射に流れ、夜溶く声 feat. spetsnaz AKIRA AKIRA AKIRA 東方星蓮船 平安のエイリアン [04 19] spetsnaz 07 Sky of the ground(off Vocal ver) Wooming AKIRA - 東方永夜抄 少女綺想曲 ~ Dream Battle [03 02] 08 Empty reality(off Vocal ver) Wooming AKIRA - 東方妖々夢 無何有の郷 ~ Deep Mountain [04 07] 09 Dreaming Gear(off Vocal ver) Wooming AKIRA - 東方紅魔郷 ヴワル魔法図書館 [04 12] 10 End of Loneliness(off Vocal ver) Wooming AKIRA - 東方紅魔郷 上海紅茶館 ~ Chinese Tea [03 52] 11 Miss in the mist(off Vocal ver) Wooming AKIRA - 東方紅魔郷 ほおずきみたいに紅い魂 [03 41] 詳細 理想郷へ… 向かうは東、約束の地… 従えるは無垢な少女か、心優しき女神か キッシングザミラーの新境地、女性ボーカルアレンジ第一弾! 博麗神社例大祭8(2011/03/13)にて頒布予定 (東北地方太平洋沖地震の影響により開催中止) イベント価格:1000円 ショップ価格:1100円(税込:1155円) Guest Coro / K's:(魂音泉) レビュー 名前 コメント
https://w.atwiki.jp/matchmove/pages/67.html
Pre-Solve Tracker Checking 解析前のトラッカーチェック 訳者注)グラフのポイントはVelocity Spikes(速度スパイク)を見つけることにあるようです。 トラッカーが途中で間違ったものを追ってしまった場合、一瞬にして別の場所へ移動します。トラッカーの移動速度が一瞬上がるわけです。これを見つけだすことで不正なトラッカーを見つけだすことができます。 (以下本文) 手動トラッキングをしているとき、十分なトラッカーがショットを通して配置できていることを確認するために、ショットを解析し始める前に定期的にトラッカーをチェックしなければなりません。 ショットを解析し始める前、自動トラッキングの後にも、トラッカーをチェックすることができます。 (単純なショットの場合、自動トラッカーでトラッキングから解析までを直接行うことができます。) このセクションは、解析する前にトラッカーを検査する方法を記載します。 SynthEyesGraph Editorを紹介します。 解析した後に、clean-up toolを含む、他のテクニックとツールを利用できます。 Tip:以下のツール・ティプスの内、自動トラッカーは灰色、 手動トラッカーは金色の背景が表示されます。 Checking the Tracker Trails トラッカー・テイルをチェックする 以下の手順は、問題あるトラッカーと状態(例えば、あまりに役に立つトラッカーが少ないフレームなど)を直ぐにチェックする方法です。 1. カメラ・ビューへ移動してください 2.メインまたは右クリック・メニューで、View/Show Imageをオフにしてください。 3.ショットのタイム・バー上で、クリック ドラッグで左右にマウスを動かし(スクラブし)、以下を探してください ・多くのトラッカーがないイメージの領域 ・全イメージが多くのトラッカーを持っていないショットの部分 ・他と違った方向に動いているトラッカー 4. メインまたは右クリック・メニューでView/Show tracker trailsをオンにしてください。 5. ショットのタイム・バー上でスクラブし、以下を探してください ・トラックの始まりか最後のおかしいフック(特に画像の端で現れます) ・テイルが不連続にジグザグしているもの。 イメージなしの方がモーション・パスを分析しやすいはずです。おそらく、イメージ自体によって惑わされないからです。 このプロセスは、問題の多いショット(低いパースペクティブによるショット、三脚で突然撮られたショット、若干のドリーまたは揺れている三脚ショット、中央のどこかに少しズームがあるショット)の性質を決定するのに有効です。 Checking Tracker Lifetimes Graph Editorのトラックビューでショットを通してフレーム毎にどのくらい多くのトラッカーが有効か概要をみることができます。 graph editorはツールバーのボタンを使用してフローティングウインドウにすることができます。また、それは、それ自体によるビューポートとして、または、他のビューポート構成の一部とにすることができます。 グラフ・エディタを開けたあと、以前に再生していたならば、それがトラック・ビューであることを確認してください。 ショットが手動トラッキングであるならば、アルファベットソートからタイムソートにしてください。 ウインドウの大きさを変更したならば、横スケーリングもリセットしてください。 次にパネルの右下ののボタンをクリックします。選択すると、トラッカーカウントバックグラウンドが見えている状態で、キーが消え、グラフが圧縮されます。グラフエディタはこのようにみえるはずです。 各バーは一つのトラッカーに対応しています。 Tracker4は選択されていて、強調されています。 色分けされたバックグラウンドは、トラッカーの数が、左で問題が多く、中央はOKで、右で安全を示します。 あなたは好きに、セーフレベルを構成できます。 このレベル(デフォルト12)を超えると、バックグラウンドは白くなるでしょう(グレーを暗いUI設定にしてください)。 しかし、セーフレベルを下回ると、バックグラウンドは Ok の、緑色の明るい色合いになるでしょう。 トラッカーの数はOKですが、希望するセーフレベルに達するほど高いわけではありません。 この圧縮された画面はトラッカーがショットの間中どう分配されているかにおける素晴らしいクイック・ルックを与えます。 色分けは三脚台モードショットと保持領域があるショットにより異なります。 ウェイトが0のトラッカーは数えません。 Hint When the graph editor is in graph mode, you can look at a direct graph of the number of valid trackers on each frame by turning on the #Normal channel of the Active Trackers node. If there are unavoidably too few trackers on some frames, you can use the Skip Frames track on theFeature Control Panel to proceed. The graph editor is divided into three main areas a hierarchy area at top left, a canvas area at top right, and a tool area at the bottom. You can change the width of the hierarchy area by sliding the gutter on its right. You can partially or completely close the tool area with the toolbox at left. A minimal view is particularly handy when the graph editor is embedded in a viewport layout. In the hierarchy area. you can select trackers by clicking their line. You can control-click to toggle selections, or shift-drag to select a range. The scrollbar at left scrolls the hierarchy area. You can also select trackers in the canvas area in squish mode, using the same mouse operations as in the hierarchy area. The icons next to the tracker name provide quick control over the tracker visibility, color, lock status, and enable. Warning you can not change the enable, or much else, of a tracker while it is locked! The small green swatch shows the display color of a tracker or mesh. Double-clicking brings up the color selection dialog so you can change the display color. You can shift-click a color, and add all trackers of that color to the current selection, control-click the swatch of an unselected tracker to select only trackers of that color, or control-click the swatch on a selected tracker to unselect the trackers of that color. Jumping ahead, the graph editor hierarchy also shows any coordinate-system lock settings for each tracker x, y, and z for the respective axis constraints; l (lower-case L) when there is a linked tracker on the same object; i for a linked tracker on a different object (an indirect link); d for a distance constraint; 0 for a zero-weighted tracker; p for a pegged tracker; F for a tracker you specified to be far; f for a tracker not requested to be far, but solved as far for cause. Introduction to Tracker Graphs The graph editor helps you find bad trackers and identify the bad portions of their track. The graph editor has a very extensive feature set that we will begin to overview; for full details see thegraph editor reference. We won’t get to the process of how to find the worst ones until the end of the section, when you understand the viewport. To begin, open the graph editor and select the graphs mode. Selecting a tracker, or exposing its contents, causes its graphs to appear. In this example, a tracker suddenly started jumping along fence posts, from pole to pole on three consecutive frames. The red curve is the horizontal U velocity, the green is the vertical V velocity, and the purple curve is the tracker figure-of-merit (for supervised trackers). You can see the channels listed under Tracker15 at left. The green circles show which channels are shown; zoom, pan, and color controls are adjacent. Double-clicking will turn on or off all the related channels. There are a variety of different curves available, not only for the trackers but for other node types within SynthEyes. The graph editor is amult-curveeditor—any number of completely different kinds of curves can be displayed simultaneously. There is no single set of coordinate values in the vertical direction because the zoom and pan can be different for each kind of channel. To determine the numeric value at any particular point on a curve, put the mouse over it and the tooltip will pop up with the set of values. The graph editor displays curves for each node that is exposed (its channels are displayed; Enable, U. Vel, V. Vel, etc above). The graph editor also displays curves for all selected nodes (trackers, cameras, or moving objects) as long as theDraw Curves for Selected Nodesbutton is turned on. This gives you quite a bit of quick control over what is drawn, and enables you to compare a single tracker or camera s curves to any other tracker as you run through them all, for example. You zoom a channel by dragging the small zoom icon. The zoom setting is shared between all channels with the same type. For example, the U and V velocity channels are the same type, as are the X, Y, and Z position channels of the camera. But the U velocity and U position are different types. If you click on the small Zoom icon, the other zoom icons of the same type will flash. The zoom setting is also shared between nodes of the same type zooming or panning on one tracker affects the other trackers too. All related channels will zoom also, so that the channels remain comparable to one another. This saves time and helps prevents some incorrect thought patterns. The pan setting is also shared between nodes, but not between channels the U velocity and V velocity can be separated out. When you pan, you’ll see a horizontal line that is the “zero level” of the channel. It will snap slightly to horizontal grid lines, making it easier to make several different curves line up to the same location. You can later check on the zero level by tapping the zoom or pan icons. There are two kinds of auto-zooms, activated by double-clicking the zoom or pan icons. The zoom double-click auto-zooms, but makes all channel of the same type have the same zero level. The pan double-click auto-zooms, but pans the channels individually. As a result, the zoom double-click keeps the data more organized and easier to follow, but the pan double-click allows for a higher zoom factor, because the zero levels can be different. For example, consider zooming an X position that runs 0 to 1, and a Y position that runs 10 to 12. If we pan double-click, the X curve will run full-screen from 0 to 2, and Y will run full-screen from 10 to 12. Note that X is not 0 to 1, because it must have the same zoom factor as Y. X will only occupy the bottom half of the screen. If we zoom double-click, X will run from 0 to 12 full screen, and Y will run from 0 to 12 full screen. The range and zero locations of both curves will be the same, and we’ll be better-able to see the relationship between the two curves. But if we want to see details, the pan-double-click is a better choice. There is no option to have X run 0 to 1 and Y run 10 to 12, by design. Both zoom and pan settings can be reset by right-clicking on the respective icons. Interpreting Figure of Merit In this example, two trackers have been supervised-tracked with a Key Every setting of 20 frames (but starting at different frames). The tracker Figure of Merit (FOM) curve measures the amount of difference between the tracker s reference pattern and what is found in the image. You see it drop down to zero each time there is a key, because then the reference and image are the same. One tracker has a small FOM value that stays mostly constant. The other tracker has a much larger FOM, and in part of the shot it is much larger. In a supervised shot, the reason for that should be investigated. You can use this curve to help decide how often to place a key automatically. The 20 frame value shown above is plenty for those features. If you see the following, you should reduce the spacing between keys. You’ll also be able to see the effect of theKey Smoothsetting the key smoothing will flatten out a steadily increasing curve into a gently rounded hump, which will reduce spikes in the final camera path. Velocity Spikes Here s an example of a velocity curve from the graph editor At frame 217, the tracker jumped about 3 pixels right, to a very similar feature. At frame 218, it jumped back, resulting in the distinctive sawtooth pattern the U velocity curve exhibits. If left as-is, this spike will result in a small glitch in the camera path on frame 217. You can repair it using theTracker control panel in the main user interface by going to frame 217. Jiggle back and forth a few frames with the S and D keys to see what s happening, then unlock the tracker and drop down a new key or two. Step around to re-track the surrounding frames with the new keys (or rewind and play through the entire sequence, which is most reliable). DeGlitch Mode You can also repair the glitch by switching to the Deglitch mode of the graph editor, then clicking on the first (positive) peak of the U velocity at frame 217. SynthEyes will compute a new tracker location that is the average of the prior and following locations. For most shots, this will eliminate the spike. If you see a velocity spike in one direction only, it will be more difficult to correct it means that the tracker has jumped to a nearby feature, and not come back. You will have to put it back in its correct location and then play (track) through the rest of the shot. The deglitch tool can also chop off the first or last frame of a tracker, which can be affected when an object moves in front, or a feature is moving offscreen. Even if the last two or three frames are bad, you can click a few times and quickly chop them off. Finding Spikes Before Solving Learn to recognize these velocity spikes directly. There are double spikes when a tracker jumps off course and returns, single spikes when it jumps off course to a similar feature and stays there, large sawtooth areas where it is chattering between near-identical features (or needs a new position key for reference), or big takeoff ramps where it gets lost and heads off into featureless territory. To help find these issues, the graph editor features the Isolate mode. Left-click it to turn it on, then right-click it to select all the trackers (it does not have to be on for right-clicking to work). With all the trackers selected, you will usually see a common pattern for most of the trackers, plus a few spots where things stick out. If you click the mouse over the spikes that stick out, that tracker will be selected for further investigation. You can push the left button and keep it down and move around investigating different curves, before releasing it to select a particular one. It can be quicker to delete extra automatic trackers, rather than repairing them. After repairing each tracker, you can right-click the isolate button again, and look for more. With two monitors, you can put the graph editor on one, and the camera view on another. With only one monitor, it may be easiest to operate the graph editor from the Camera Graphs viewport configuration. Once you are done, do arefine-mode solving cycle. Hint You can stay in Deglitch mode, and temporarily isolate by holding down the control key. This gives a quick workflow for finding and repairing glitches.
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Breaking Dawn feat. NO+CHIN, AYANO / GUHROOVY Yo!パーリーピーポー We are GUHROOVY Crew この道10年?20年?目指せOver 100 As long as we rock! 叫ンでやるゼ Burning like a fire Take U higher 踊れなくてもIt s so goooood Move ya body shake U all night looooong Hey! Song for all HC people. Crap your hands up! Crap your hands up! You gotta guhroove.You never give up. Let me see your fist in the sky. We promise that you can get guhroovy spice. We promise that we can let you fly high. We promise that you can get guhroovy spice. We promise that we can let you fly high. Breaking Dawn feat. NO+CHIN, AYANO (Extended Mix) / GUHROOVY Yo!パーリーピーポー We are GUHROOVY Crew この道10年?20年?目指せOver 100 haha As long as we rock! 叫ンでやるゼ Burning like a fire Take U higher 踊れなくてもIt s so goood Move ya body shake U all nite looooong Hey! Song for all HC people. Crap your hands up! You gotta guhroove.You never give up. Let me see your fist in the sky. We promise that you can get guhroovy spice. We promise that we can let you fly high. Keep going on! Let me here you say Yahhhhh! We promise that you can get guhroovy spice. We promise that we can let you fly high.
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歌词 来源:http //sonic.wikia.com/wiki/Reach_for_the_Stars (和译版)http //sonic7010.blog6.fc2.com/blog-entry-12.html Sonic Colors主题曲 Sonic Colors theme 「Reach for the stars」 Vocals by Jean Paul Makhlouf of Cash Cash Music Arranged by Tomoya Ohtani Lyrics by Alex Makhlouf Samuel Frisch Take off at the speed of sound Bright lights, colors all around I m running wild, living fast, and free Got no regrets inside of me Not looking back Not giving up Not letting go I ll keep on running! I m gonna reach for the stars Although they look pretty far I m gonna find my own way And take a chance on today The sky with stars so bright The colors feel so right I never felt like this I ll keep on running! The sky with stars so bright The colors feel so right Just take my hand We re gonna reach for the stars Tonight... Tonight.... Full Version 1,Take off, at the speed of sound Bright lights ,colors all around I m running wild ,living fast, and free Got no regrets inside of me Not looking back Not giving up Not letting go I ll keep on running ☆I m gonna reach for the stars Although they look pretty far I m gonna find my own way And take a chance on today ★A sky with stars so bright The colors feel so right I ve never felt like this I ll keep on running A sky with stars so bright The colors feel so right Just take my hand, we re gonna reach for the stars Tonight Tonight... 2,Wake up, living day by day Do what I want, and I ll do it my way The world is flying right below my feet Got no regrets inside of me Not looking back (Not looking back) Not giving up (Not giving up) Not letting go I ll keep on running ☆Repeat ★Repeat -INSTRUMENTAL- I ve got it in my sight, The colors feels so right Got my feet off the ground, I ll keep on running Oh I can feel it now The colors all around Just take my hand, we re gonna reach for the stars Just take a chance (Just take a chance) We ll do it right, Oh-Yeah! (We re gonna reach for the stars) Just take my hand (Just take my hand) We ll take a chance, Tonight Reach for the stars Tonight Tonight...
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The meaning of the name About the spelling and the meaning of the character My name is hikarino_youko hikarino writes 光野 in Japanese Kanji. And youko writes 陽子 . _ is the symbol called an underscore . It s also called under bar in Japanese. I like it! Kanji is used in China, Taiwan and Korea. The meaning of respective Kanji of my name A letter as 光 is a Kanji read as hikari , and is the meaning as the light . A letter as 野 is a Kanji read as no , and is the meaning as the field . When this letter is seen, I imagine the Heaven where a flower blooms. A letter as 陽 is a Kanji read as yoo . There is meaning of the sunlight and the light feeling . A letter as 子 is a Kanji read as ko , and is the meaning as a child . The name to which 子 (ko) sticks at the end is a female name like Sachiko and Youko in present-day Japan. Addition But the male name to which 子 (ko) sticks at the end was used in ancient Japan. Ono no Imoko is also the one. The feature of this name If you think in Japanese... When Someone say hikarino_youko , your ears feels child like light . It s because like of the child like light is called no-yoo in Japanese. child like light is called hikari-no-yoona-ko in Japanese. And ko (子) also means a young person. For example, a middle-aged person sometimes calls about 20-year-old person ano-ko (あの子) by the meaning as that person . It seems to be a real name at all by putting underscore between hikarino and youko . Youko is the name which is often seen in Japan. For example, there is a woman of the name as Yoko Ishida . Her real name is Ishida Youko by the word order of Japanese. It s written with 石田陽子 in Japanese Kanji. Would 光野 陽子 (hikarino_youko) also seem to be a real name, isn t it? But, it isn t real name. My real name is a secret. It isn t sometimes put in with the case when I leave space between the last name and the name by a Japanese custom. Here is clicked about the reason that it was made Handle like a real name. Thank you very much for reading!That s it for this page. BACK HOME Links of @wiki and CM